<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title>Nikolai Voss — Journal</title><description>Liner essays, compositional notes and announcements from composer Nikolai Voss.</description><link>https://nikolaivoss.com/</link><language>en-gb</language><item><title>Why a Withheld Cadence Is the Whole Point of Das Verlöschen</title><link>https://nikolaivoss.com/journal/why-a-withheld-cadence/</link><guid isPermaLink="true">https://nikolaivoss.com/journal/why-a-withheld-cadence/</guid><description>What is a withheld cadence, and why end a fourteen-song cycle on one? On the unresolved final chord of Das Verlöschen — and why some music should refuse to resolve.</description><pubDate>Sat, 06 Jun 2026 00:00:00 GMT</pubDate></item><item><title>Music for Grief, Focus, and Sleep: A Classical Approach</title><link>https://nikolaivoss.com/journal/classical-music-for-grief-focus-sleep/</link><guid isPermaLink="true">https://nikolaivoss.com/journal/classical-music-for-grief-focus-sleep/</guid><description>How to choose classical music by what you need from it — cathartic music for grief, wordless orchestral music for focus, and slow, dark music for sleep. A guide to listening by intention.</description><pubDate>Fri, 05 Jun 2026 00:00:00 GMT</pubDate></item><item><title>Building on Mahler: Orchestration, Terraces, and Weather</title><link>https://nikolaivoss.com/journal/building-on-mahler/</link><guid isPermaLink="true">https://nikolaivoss.com/journal/building-on-mahler/</guid><description>What does it mean to write orchestral music &apos;after Mahler&apos;? On terraced climaxes, brass that arrives like weather, and the symphonic scope behind Nikolai Voss&apos;s symphonies.</description><pubDate>Thu, 04 Jun 2026 00:00:00 GMT</pubDate></item><item><title>The Singer-Composer: On Writing for a Voice You Know</title><link>https://nikolaivoss.com/journal/the-singer-composer/</link><guid isPermaLink="true">https://nikolaivoss.com/journal/the-singer-composer/</guid><description>Why so few composers write for their own voice — and what changes when they do. On the rare tradition of the singer-composer and the dramatic baritone repertoire.</description><pubDate>Wed, 03 Jun 2026 00:00:00 GMT</pubDate></item><item><title>The German Song Cycle After Winterreise</title><link>https://nikolaivoss.com/journal/the-german-song-cycle-after-winterreise/</link><guid isPermaLink="true">https://nikolaivoss.com/journal/the-german-song-cycle-after-winterreise/</guid><description>A short history of the German song cycle from Schubert&apos;s Winterreise to the present — and where a modern baritone cycle like Das Verlöschen fits in the tradition.</description><pubDate>Tue, 02 Jun 2026 00:00:00 GMT</pubDate></item><item><title>How to Listen to a 14-Song Cycle (When You&apos;ve Never Heard One)</title><link>https://nikolaivoss.com/journal/how-to-listen-to-a-song-cycle/</link><guid isPermaLink="true">https://nikolaivoss.com/journal/how-to-listen-to-a-song-cycle/</guid><description>A plain-language guide to listening to a classical song cycle for the first time — what to expect, how long it takes, and how to hear Das Verlöschen the way it was built to be heard.</description><pubDate>Mon, 01 Jun 2026 00:00:00 GMT</pubDate></item><item><title>Inside the St. Voss Passion: Eighteen Movements of Descent</title><link>https://nikolaivoss.com/journal/inside-the-st-voss-passion/</link><guid isPermaLink="true">https://nikolaivoss.com/journal/inside-the-st-voss-passion/</guid><description>A movement-by-movement walk through the architecture of the St. Voss Passion — the Evangelist, the turba choruses, and the arias that stop the action to grieve.</description><pubDate>Thu, 28 May 2026 00:00:00 GMT</pubDate></item><item><title>The Making of Das Verlöschen</title><link>https://nikolaivoss.com/journal/the-making-of-das-verloschen/</link><guid isPermaLink="true">https://nikolaivoss.com/journal/the-making-of-das-verloschen/</guid><description>How a single four-note figure became a fourteen-song descent from a votive candle to the final guttering of the flame — and why the last chord refuses to resolve.</description><pubDate>Wed, 20 May 2026 00:00:00 GMT</pubDate></item><item><title>Winterreise and the Lamp: On Inheriting a Tradition</title><link>https://nikolaivoss.com/journal/winterreise-and-the-lamp/</link><guid isPermaLink="true">https://nikolaivoss.com/journal/winterreise-and-the-lamp/</guid><description>Why a composer working today still reaches back to Schubert, Mahler and the German song-cycle — and what the long tradition of walking into the dark still has to teach.</description><pubDate>Tue, 12 May 2026 00:00:00 GMT</pubDate></item></channel></rss>